Owen Brannigan

Owen Brannigan

Long Tail Classical Classical bass

Annitsford 🇬🇧

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Top titres de Owen Brannigan

Peter Grimes, Op. 33 - Interlude #2: Storm
Peter Grimes, Op. 33 - Interlude #2: Storm Benjamin Britten & Geraint Evans & Marion Studholme & Jean Watson & David Kelly & Owen Brannigan & Raymond Nilsson & Sir Peter Pears & Lauris Elms & John Lanigan & Claire Watson & The Royal Opera House Orchestra & James Pease & Marcus Norman & Iris Kells
Noye's Fludde, Op.59: "Noye, Noye, Take Thou Thy Company"
Noye's Fludde, Op.59: "Noye, Noye, Take Thou Thy Company" Benjamin Britten & Merlin Channon & Norman Del Mar & Chorus Of Animals & Stephen Alexander & Owen Brannigan & Darian Angadi & David Pinto & The English Opera Group Orchestra & Trevor Anthony & Marie-Therese Pinto & Caroline Clack & Eileen O'Donovan
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company"
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" Benjamin Britten & Chorus Of Animals & Stephen Alexander & Owen Brannigan & Darian Angadi & David Pinto & Trevor Anthony & Marie-Therese Pinto & Caroline Clack & Eileen O'Donovan
Messiah: Part 1, No 5 - Thus Saith the Lord of Hosts
Messiah: Part 1, No 5 - Thus Saith the Lord of Hosts London Philharmonic Orchestra
Britten: Noye's Fludde, Op.59 - "The Spacious Firmament On High"
Britten: Noye's Fludde, Op.59 - "The Spacious Firmament On High" Benjamin Britten & Merlin Channon & Norman Del Mar & Chorus Of Animals & Sheila Rex & Stephen Alexander & Owen Brannigan & Darian Angadi & David Pinto & The English Opera Group Orchestra & English Opera Group Orchestra & Trevor Anthony & Patricia Garrod & Marie-Therese Pinto & Caroline Clack & Eileen O'Donovan & Margaret Hawes & Kathleen Petch & Gillian Saunders

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À propos de Owen Brannigan

One of the leading English basses of his day, Owen Brannigan became strongly associated with the operas of Britten and Mozart. He also sang and recorded a number of roles in Gilbert and Sullivan operettas, and while he made numerous appearances abroad, his greatest successes were at English opera houses, most notably Sadler's Wells, Glyndebourne, and Covent Garden. He appeared regularly in concert and recital as well. Despite his reputation in the works of Britten, Mozart, and Sullivan, his repertory was fairly broad, taking in Handel (Acis and Galatea), Cavalli (Calisto), Offenbach (Tales ...