Kurt Moll

Kurt Moll

Long Tail Classical Classical bass Classical crossover Opera

🇩🇪

Spotify Apple Music Deezer Soundcloud Shazam Amazon Yandex Tidal Anghami YouTube Qobuz Kugou

Top músicas de Kurt Moll

Die Zauberflöte, K. 620: "Der Hölle Rache kocht in meinem Herze"
Die Zauberflöte, K. 620: "Der Hölle Rache kocht in meinem Herze" Sir Georg Solti & Ruth Ziesak & Heinz Zednik & Kurt Moll & Wiener Philharmoniker & Wolfgang Amadeus Mozart & Sumi Jo
Fidelio, Op. 72: Act I: Overture
Fidelio, Op. 72: Act I: Overture Herwig Pecoraro & Kurt Moll & Inga Nielsen & Gösta Winbergh & Nicolaus Esterhazy Sinfonia & Ludwig van Beethoven & Michael Halasz & Alan Titus & Hungarian Radio Chorus & József Moldvay & Edith Lienbacher & Wolfgang Glashof & Péter Pálinkás
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster Wolfgang Sawallisch & Kurt Moll & Wolfgang Amadeus Mozart & Orchester der Bayerischen Staatsoper München & Chor der Bayerischen Staatsoper München
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange"
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" Kurt Moll & James Levine & Berliner Philharmoniker & Gösta Winbergh & Joseph Haydn & Gustav Sjökvist & Stockholm Chamber Choir & Stockholm Radio Chorus
Parsifal / Act 1: "He! Ho! Waldhüter ihr"
Parsifal / Act 1: "He! Ho! Waldhüter ihr" Richard Wagner & Marjon Lambriks & Dunja Vejzovic & Anne Gjevang & Claes-Håkon Ahnsjö & Kurt Moll & Kurt Rydl & Berliner Philharmoniker & Herbert von Karajan

Veja a discografia completa e acompanhe o desempenho em streaming em todas as plataformas.

Comece grátis agora

Sobre Kurt Moll

A true bass voice is a relative rarity in the operatic world (though not as rare as a true contralto), and all too often, even the major candidates "gravel out" at the bottom of their ranges instead of singing, or have a tendency to bark or at least overuse sprechstimme while singing. Kurt Moll was one of the basses known for singing every note of his roles, even the lowest notes for Osmin in The Abduction from the Seraglio. The richness and sonority of his voice and sensitivity to the inflections of both music and text made him one of the foremost performers of Wagner bass roles, especiall...