Robert Irving

Robert Irving

Long Tail Classical Classical crossover Orchestral

Winchester 🇬🇧

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Top músicas de Robert Irving

14 Romances, Op. 34: No. 14, Vocalise
14 Romances, Op. 34: No. 14, Vocalise Pittsburgh Symphony Orchestra & Robert Irving & Nathan Milstein & Sergei Rachmaninoff
Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 19, Cinderella's departure for the Ball (Allegro espressivo)
Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 19, Cinderella's departure for the Ball (Allegro espressivo) Royal Philharmonic Orchestra & Robert Irving & Sergei Prokofiev & Royal Philharmonic Orchestra, Robert Irving
Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 1, Introduction (Andante dolce)
Cinderella (Ballet) op. 87 (excerpts), Act 1: No. 1, Introduction (Andante dolce) Royal Philharmonic Orchestra & Robert Irving & Sergei Prokofiev & Royal Philharmonic Orchestra, Robert Irving
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 9, Cinderella dreams of the Ball (Andante dolce)
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 9, Cinderella dreams of the Ball (Andante dolce) Royal Philharmonic Orchestra & Robert Irving & Sergei Prokofiev & Royal Philharmonic Orchestra, Robert Irving
Chopin / Orch. Douglas: Les Sylphides: Waltz in C-Sharp Minor, Op. 64 No. 2
Chopin / Orch. Douglas: Les Sylphides: Waltz in C-Sharp Minor, Op. 64 No. 2 Robert Irving & Philharmonia Orchestra & Frédéric Chopin

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Sobre Robert Irving

Perhaps the least glamorous sort of conducting, aside from church choirs, is for ballet. Yet Robert Irving brought dignity and nuance to his work as one of the two most prominent ballet conductors (the other being John Lanchbery) in the second half of the twentieth century. He made several recordings, mainly for EMI in the 1950s and '60s, which attest to his sensitivity to the needs of dancers (who generally require slower tempos than are favored in concert performances) without seeming to plod. He composed some film and theater music of his own and was also known for his advocacy of contem...