Ernst Krenek

Ernst Krenek

Long Tail Classical Experimental Austro-german modernism Avant-garde Chamber music

Vienna 🇦🇹

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Top músicas de Ernst Krenek

Piano Sonata No. 3, Op. 92 No. 4: IV. Adagio
Piano Sonata No. 3, Op. 92 No. 4: IV. Adagio Glenn Gould & Ernst Krenek
Piano Concerto No. 4, Op. 123: III. Allegro, molto vivace
Piano Concerto No. 4, Op. 123: III. Allegro, molto vivace Ernst Krenek & Mikhail Korzhev & English Symphony Orchestra & Kenneth Woods
Sonata for Piano No. 3, Op. 92 No. 4: I. Allegretto piacavole, animato e flessibile - Stereo Version
Sonata for Piano No. 3, Op. 92 No. 4: I. Allegretto piacavole, animato e flessibile - Stereo Version Glenn Gould & Ernst Krenek
Lamento della ninfa: II. Amor dicea il ciel
Lamento della ninfa: II. Amor dicea il ciel Ernst Krenek & Hans-Christoph Rademann & RIAS Kammerchor & Claudio Monteverdi & Philip Mayers & Caroline Stein
Piano Sonata No. 3, Op. 92 No. 4: II. Theme, Canons & Variations
Piano Sonata No. 3, Op. 92 No. 4: II. Theme, Canons & Variations Glenn Gould & Ernst Krenek

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Sobre Ernst Krenek

A study of Viennese-born composer Ernst Krenek's prodigious output is rather like a study of 20th century music in microcosm. Krenek moved with ease through the various aesthetic and stylistic changes that marked that turbulent century, taking what he considered the best features of each and fusing them into a new language all his own. Born in August 1900, Krenek began musical training at the age of six, and later studied privately with Franz Schreker in Vienna before enrolling for formal training with the same at the Berlin Conservatory in 1920. Krenek's music of the early '20s (includi...