Stacey Tappan
Long Tail
Classical
Opera
Estatísticas de Stacey Tappan
Top músicas de Stacey Tappan
The Ghosts of Versailles, Act I: Act I: Finale: Tafaddaloo marhabun bikoom - Shall we? (Figaro, Chorus, Almaviva, English Ambassador, Begearss, Wilhelm, Marie Antoinette, Aristocrats, Florestine, Rosina, Susanna)
John Corigliano & Lucas Meachem & Joshua Guerrero & Museop Kim & Robert Brubaker & Joel Sorensen & Patricia Racette & Summer Hassan & Lacey Jo Benter & Frederick Ballentine & Patrick Blackwell & Stacey Tappan & Guanqun Yu & Lucy Schaufer & Los Angeles Opera Chorus & Los Angeles Opera Orchestra & James Conlon
The Ghosts of Versailles, Act I: Act I: Finale: Selamunaleykum, (Welcome!) (Pasha, Louis XVI, Marie Antoinette, Leon, Florestine, Almaviva, Rosina, Susanna, Marquis, Beaumarchais, Begearss)
John Corigliano & Philip Cokorinos & Kristinn Sigmundsson & Patricia Racette & Brenton Ryan & Stacey Tappan & Joshua Guerrero & Guanqun Yu & Lucy Schaufer & Scott Scully & Christopher Maltman & Robert Brubaker & Los Angeles Opera Orchestra & James Conlon
The Ghosts of Versailles, Act I: I Can't Wait to Betray Almaviva (Live)
John Corigliano & Los Angeles Opera & James Conlon & Robert Brubaker & Stacey Tappan
The Ghosts of Versailles, Act II: Act II: Watch. Now Figaro comes back (Beaumarchais, Louis XVI, Almaviva, Susanna, Figaro, Marie Antoinette, Florestine, Rosina, Woman with Hat, Marquis)
John Corigliano & Los Angeles Opera & James Conlon & Christopher Maltman & Patricia Racette & Kristin Sigmundsson & Guangqun Yu & Joshua Guerrero & Scott Scully
The Ghosts of Versailles, Act II: Act II: Hurry, hurry… It's late! The second act is beginning! (Beaumarchais, Louis XVI, Marie Antoinette, Almaviva, Marquis, Susanna, Florestine, Woman with Hat, Rosina)
John Corigliano & Los Angeles Opera & James Conlon & Christopher Maltman & Patricia Racette & Kristin Sigmundsson & Guangqun Yu & Joshua Guerrero & Scott Scully
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Sobre Stacey Tappan
While still in her twenties, Stacey Tappan became widely regarded as one of the most promising sopranos of her generation, and in the ensuing years expectations were met with acclaimed debuts at the Houston Grand Opera, Chicago Lyric Opera, Bangkok Opera, Ravinia Festival, Los Angeles Philharmonic, and other prestigious venues. On recordings she has scored similar success, most notably as the Wren in Braunfels' The Birds and Beth in Mark Adamo's Little Women. But her repertory ranges from Despina in Mozart's Cosí fan tutte and Nanetta in Verdi's Falstaff to Adele in Strauss II's Die Flederm...
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