Owen Brannigan

Owen Brannigan

Long Tail Classical Classical bass

Annitsford 🇬🇧

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Top canciones de Owen Brannigan

Noye's Fludde, Op.59: "Noye, Noye, Take Thou Thy Company"
Noye's Fludde, Op.59: "Noye, Noye, Take Thou Thy Company" Benjamin Britten & Merlin Channon & Norman Del Mar & Chorus Of Animals & Stephen Alexander & Owen Brannigan & Darian Angadi & David Pinto & The English Opera Group Orchestra & Trevor Anthony & Marie-Therese Pinto & Caroline Clack & Eileen O'Donovan
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company"
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company" Benjamin Britten & Chorus Of Animals & Stephen Alexander & Owen Brannigan & Darian Angadi & David Pinto & Trevor Anthony & Marie-Therese Pinto & Caroline Clack & Eileen O'Donovan
Messiah, HWV 56, Pt. 2, Scene 6: No. 40, Aria. "Why Do the Nations So Furiously Rage Together"
Messiah, HWV 56, Pt. 2, Scene 6: No. 40, Aria. "Why Do the Nations So Furiously Rage Together" London Philharmonic Orchestra & Sir Adrian Boult & Owen Brannigan & George Frideric Handel
Messiah: Part 1, No 5 - Thus Saith the Lord of Hosts
Messiah: Part 1, No 5 - Thus Saith the Lord of Hosts London Philharmonic Orchestra & Sir Adrian Boult & Owen Brannigan & George Frideric Handel
Britten: Noye's Fludde, Op.59 - "The Spacious Firmament On High"
Britten: Noye's Fludde, Op.59 - "The Spacious Firmament On High" Benjamin Britten & Merlin Channon & Norman Del Mar & Chorus Of Animals & Sheila Rex & Stephen Alexander & Owen Brannigan & Darian Angadi & David Pinto & The English Opera Group Orchestra & English Opera Group Orchestra & Trevor Anthony & Patricia Garrod & Marie-Therese Pinto & Caroline Clack & Eileen O'Donovan & Margaret Hawes & Kathleen Petch & Gillian Saunders

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Sobre Owen Brannigan

One of the leading English basses of his day, Owen Brannigan became strongly associated with the operas of Britten and Mozart. He also sang and recorded a number of roles in Gilbert and Sullivan operettas, and while he made numerous appearances abroad, his greatest successes were at English opera houses, most notably Sadler's Wells, Glyndebourne, and Covent Garden. He appeared regularly in concert and recital as well. Despite his reputation in the works of Britten, Mozart, and Sullivan, his repertory was fairly broad, taking in Handel (Acis and Galatea), Cavalli (Calisto), Offenbach (Tales ...