Waldemar Kmentt

Waldemar Kmentt

Long Tail Classical Classical tenor Opera Orchestral

Vienna 🇦🇹

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Top canciones de Waldemar Kmentt

Requiem, KV 626: Lacrimosa
Requiem, KV 626: Lacrimosa Ira Malaniuk & Karl Böhm & Wiener Symphoniker & Teresa Stich-Randall & Wolfgang Amadeus Mozart & Vienna State Opera Orchestra & Waldemar Kmentt
Requiem in D Minor, K. 626: III. Sequentia: Lacrimosa
Requiem in D Minor, K. 626: III. Sequentia: Lacrimosa Ira Malaniuk & Karl Böhm & Wiener Symphoniker & Kurt Böhme & Teresa Stich-Randall & Wolfgang Amadeus Mozart & Waldemar Kmentt & Chœur de l'opéra de Vienne
Die Zauberflöte, K.620, Act I: O zitt're nicht
Die Zauberflöte, K.620, Act I: O zitt're nicht Wolfgang Amadeus Mozart & Aage Haugland & André von Mattoni & Bernard Haitink & Brigitte Lindner & Doris Soffel & Edita Gruberova & Erich Kunz & Heinz Zednik & Lucia Popp & Marilyn Richardson & Norman Bailey & Ortrun Wenkel & Peter Hofmann & Roland Bracht & Siegfried Jerusalem & Waldemar Kmentt & Wolfgang Brendel & Bavarian Radio Symphony Orchestra
Symphony No. 9 in D Minor, Op. 125 "Choral": IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai
Symphony No. 9 in D Minor, Op. 125 "Choral": IVb. Presto - "O Freunde, nicht diese Töne!" - Allegro assai Herbert von Karajan & Walter Berry & Gundula Janowitz & Wiener Singverein & Berliner Philharmoniker & Ludwig van Beethoven & Waldemar Kmentt & Hilde Rössel Majdan
Die Fledermaus / Act 1: Nr.4 Terzett: "So muss allein ich bleiben" - Edit
Die Fledermaus / Act 1: Nr.4 Terzett: "So muss allein ich bleiben" - Edit Herbert von Karajan & Hilde Gueden & Erika Köth & Wiener Philharmoniker & Johann Strauss II & Giuseppe Zampieri & Waldemar Kmentt

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Sobre Waldemar Kmentt

This busy tenor established his reputation early as a reliable artist in Mozart and Bach. With a voice less sensuous than those of Léopold Simoneau or Anton Dermota, he nonetheless was frequently engaged for stage performances, concert work, and recordings. Eventually, he ventured as far into a heavier repertory as Walter von Stolzing, a role he sang at the Bayreuth Festival. Kmentt's Metropolitan Opera debut -- in a speaking role -- awaited the new millennium, but still brought encomiums from audiences and the press. First intending to pursue a career as a pianist, Kmentt later studied sin...