Kim Borg

Kim Borg

Long Tail Classical Choral Classical bass Requiem

Helsinki 🇫🇮

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Kim Borg のトップ楽曲

The Magic Flute (Die Zauberflöte), KV 622 (Highlights): Overture
The Magic Flute (Die Zauberflöte), KV 622 (Highlights): Overture Maria Stader & Rita Streich & Ernst Haefliger & Ferenc Fricsay & Kim Borg & Nina Stemme & Martin Vantin & RIAS Kammerchor & Josef Greindl & Diana Eustrati & Wolfgang Amadeus Mozart & RIAS-Symphonie-Orchester & Liselotte Losch & Margarete Klose & Margot Guillaume & Berlin Motet Choir & Marianne Schech & Wilhellm Borchert & Maria Reith
The Dream of Gerontius Op. 38 (1999 Digital Remaster), Part II: Dispossessed, aside thrust (chorus)
The Dream of Gerontius Op. 38 (1999 Digital Remaster), Part II: Dispossessed, aside thrust (chorus) Edward Elgar & Richard Lewis & Kim Borg & Eric Chadwick & John McCarthy & Martin Milner & Sir John Barbirolli & Dame Janet Baker & Hallé
On hanget korkeat, nietokset
On hanget korkeat, nietokset Kim Borg
Requiem, Op. 89: Dies irae
Requiem, Op. 89: Dies irae Antonín Dvořák & Maria Stader & Sieglinde Wagner & Ernst Haefliger & Kim Borg & Czech Philharmonic Orchestra & Karel Ančerl & Czech Chorus, Prague & Markéta Kühnová
Requiem Op. 89: III. Dies Irae
Requiem Op. 89: III. Dies Irae Antonín Dvořák & Maria Stader & Sieglinde Wagner & Ernst Hæfliger & Kim Borg & Chorus Prague Orchestra & Philharmonic Prague Orchestra & Karl Ancerl

全ディスコグラフィーとストリーミングパフォーマンスを全プラットフォームで確認。

今すぐ無料で始める

最近のライブ

  • 2020-03-08 Riddarhuset Stockholm, SE
  • 2019-08-15 Fors Kyrka Sjuntorp Sjuntorp, SE

Kim Borg について

An elegant artist with a firm, though not particularly large bass baritone, Kim Borg was heard most effectively in recital. His Metropolitan Opera debut appearances as Count Almaviva did not show him to advantage, for the best part of his voice lay somewhat lower and, when pushed for volume, the instrument could take on a brittle quality. In the smaller houses of Europe and on the concert stage, however, he was a commanding presence. His singing of the song literature, including the songs of Sibelius, was authoritative and finely nuanced and the frequent inclusion of one of Sarastro's arias...