Fernando Corena
Long Tail
Classical
Classical bass
Opera
Fernando Corena の統計
Fernando Corena のトップ楽曲
La bohème, Act II: "Quando men' vo soletta" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline, Coro)
Renata Tebaldi & Tullio Serafin & Carlo Bergonzi & Cesare Siepi & Fernando Corena & Gianna D'Angelo & Renato Cesari & Ettore Bastianini & Coro dell'Accademia di Santa Cecilia & Orchestra dell'Accademia di Santa Cecilia
La bohème: Act 2. "Quando m'en vo'" (Musetta's Waltz)
Renata Tebaldi & Tullio Serafin & Carlo Bergonzi & Cesare Siepi & Fernando Corena & Gianna D'Angelo & Orchestra dell'Accademia Nazionale di Santa Cecilia & Renato Cesari & Ettore Bastianini & Giacomo Puccini
Tosca / Act 1: "Ah! Finalmente!"
Herbert von Karajan & Fernando Corena & Berliner Philharmoniker & Giacomo Puccini & José Carreras & Gottfried Hornik
Il dissoluto punito ossia Il Don Giovanni: Aria. Madamina, il catalogo è questo
Wolfgang Amadeus Mozart & Vienna State Opera Chorus & Wiener Philharmoniker & Josef Krips & Fernando Corena
Don Giovanni, K. 527, Act I: "Madamina! Il catalogo è questo"
Fernando Corena
全ディスコグラフィーとストリーミングパフォーマンスを全プラットフォームで確認。
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Fernando Corena について
Basso buffo Fernando Corena, heralded as the true successor to comic bass Salvatore Baccaloni, began his career singing non-comic roles just as did the imposing Baccaloni. A gift for buffoonery, however, cleared the way for his concentration on comic roles and there it was that he achieved his reputation. Although sturdy and of considerable volume, his voice was less flexible than Baccaloni's, less able to bend itself around the complexities of such arias as Bartolo's A un dottor or any of the other patter songs that populated his repertory. Still, his involvement with each of his impersona...
Fernando Corena の全体像
ストリーミング分析、ラジオモニタリング、プレイリスト追跡など、すべてを一か所で。