Josef Greindl
Long Tail
Classical
Classical bass
Opera
Josef Greindl のトップ楽曲
La flûte enchantée, K. 620, Acte II: Der Hölle Rache Kocht In Meinem Herze
Maria Stader & Rita Streich & Ernst Haefliger & Ferenc Fricsay & Josef Greindl & Wolfgang Amadeus Mozart & Dietrich Fischer-Dieskau & RIAS-Symphonie-Orchester
Wagner: Tristan und Isolde, WWV 90, Act 1: Vorspiel (Langsam und schmachtend - Belebend)
Wilhelm Furtwängler & Josef Greindl & Philharmonia Orchestra & Richard Wagner
The Magic Flute (Die Zauberflöte), KV 622 (Highlights): Overture
Maria Stader & Rita Streich & Ernst Haefliger & Ferenc Fricsay & Kim Borg & Nina Stemme & Martin Vantin & RIAS Kammerchor & Josef Greindl & Diana Eustrati & Wolfgang Amadeus Mozart & RIAS-Symphonie-Orchester & Liselotte Losch & Margarete Klose & Margot Guillaume & Berlin Motet Choir & Marianne Schech & Wilhellm Borchert & Maria Reith
La flûte enchantée, K. 620, Acte I: Ouverture
Maria Stader & Rita Streich & Ernst Haefliger & Ferenc Fricsay & Josef Greindl & Wolfgang Amadeus Mozart & Dietrich Fischer-Dieskau & RIAS-Symphonie-Orchester
Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 1: "Westwärts schweift der Blick" (Ein junger Seemann, Isolde)
Wilhelm Furtwängler & Josef Greindl & Philharmonia Orchestra & Richard Wagner
全ディスコグラフィーとストリーミングパフォーマンスを全プラットフォームで確認。
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Josef Greindl について
Josef Greindl, with a voice mellower and less cutting than those of Gottlob Frick or Kurt Böhme, nonetheless became a dominant presence in the heaviest German bass roles during the 1950s and 1960s. A wide vibrato bothered some listeners who were sensitive to such matters, but Greindl was a savvy enough artist to subdue the effect in all but the most sustained passages and he was a canny presence. His Hagen exuded evil, while his Sarastro had a warmth and dignity that clarified the role as few others did. His occasional ventures into Italian opera largely took place in Germany and primarily ...
Josef Greindl の全体像
ストリーミング分析、ラジオモニタリング、プレイリスト追跡など、すべてを一か所で。