Gertrud Grob-Prandl

Gertrud Grob-Prandl

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Gertrud Grob-Prandl のトップ楽曲

Tristan und Isolde: Act I Scene 2: Mir erkoren, mir verloren (Isolde, Brangane)
Tristan und Isolde: Act I Scene 2: Mir erkoren, mir verloren (Isolde, Brangane) Victor de Sabata & Richard Wagner & Orchestra Del Teatro Alla Scala, Milano & Elsa Cavelti & Gertrud Grob-Prandl
Mozart: The Magic Flute (Die Zauberflote): Zu hilfe! Zu hilfe! - Act One
Mozart: The Magic Flute (Die Zauberflote): Zu hilfe! Zu hilfe! - Act One Walter Ludwig & Wolfgang Amadeus Mozart & Sieglinde Wagner & Elisabeth Höngen & Gertrud Grob-Prandl
Mozart: The Magic Flute (Die Zauberflote): Der Vogelfanger bin ich ja - Act One
Mozart: The Magic Flute (Die Zauberflote): Der Vogelfanger bin ich ja - Act One Walter Ludwig & Wolfgang Amadeus Mozart & Sieglinde Wagner & Elisabeth Höngen & Gertrud Grob-Prandl & Karl Schmidt-Walter
Mozart: The Magic Flute (Die Zauberflote): Hm, hm, hm hm! - Act One
Mozart: The Magic Flute (Die Zauberflote): Hm, hm, hm hm! - Act One Walter Ludwig & Wolfgang Amadeus Mozart & Vienna State Opera Chorus & Sieglinde Wagner & Elisabeth Höngen & Gertrud Grob-Prandl & Karl Schmidt-Walter & Peter Klein
Götterdämmerung, Act II: Act II: Achtest du so der eignen Ehre? (All)
Götterdämmerung, Act II: Act II: Achtest du so der eignen Ehre? (All) Ludwig Weber & Wiener Symphoniker & Richard Wagner & Georgine Von Milinkovic & Vienna State Opera Chorus & Sieglinde Wagner & Judith Hellwig & Rudolf Moralt & Erich Majkut & Hilde Konetzni & Günther Treptow & Harald Pröglhöf & Rosette Anday & Adolf Vogel & Martha Rohs & Gertrud Grob-Prandl & Karl Kamann & Elisabeth Rutgers

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Gertrud Grob-Prandl について

One of the three potent Wagnerian heroic sopranos born within a half year of each other, Gertrud Grob-Prandl, according to numerous colleagues, outshone both Astrid Varney and Birgit Nilsson in sheer amplitude. Soprano Irmgard Seefried swore that "the walls shook" when Grob-Prandl sang Turandot, and indeed, the great-voiced soprano achieved celebrity in Italy surpassing even that accorded her in her native Austria. Grob-Prandl's voice was not merely immense, it was firmly knit and true, with a fast vibrato that avoided any taint of the unwieldy. If her passagework in Mozart was slightly lab...