Karl-Birger Blomdahl

Karl-Birger Blomdahl

Long Tail Classical Early modern classical Opera

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Estatísticas de Karl-Birger Blomdahl

Ouvintes 4.8K Ouvintes mensais 3.8K ↓ Inscritos 33 Fãs 2 Ouvintes mensais ?

Top músicas de Karl-Birger Blomdahl

Aniara (Excerpts): Jag anar dödens skugga
Aniara (Excerpts): Jag anar dödens skugga Mikael Samuelson & Karl-Birger Blomdahl & Stefan Parkman & Stig Westerberg & Lena Hoel & Swedish Radio Symphony Orchestra & Erik Saeden & Jerker Arvidson & Radio Chorus & Viveca Anderberg & Bjorn Haugan & Thomas Sunnegårdh
Aniara: Act II Scene 4: Jag anar dödens skugga …
Aniara: Act II Scene 4: Jag anar dödens skugga … Mikael Samuelson & Karl-Birger Blomdahl & Stefan Parkman & Stig Westerberg & Lena Hoel & Swedish Radio Symphony Orchestra & Erik Saeden & Jerker Arvidson & Thomas Sunnegardh & Radio Chorus & Viveca Anderberg & Bjorn Haugan
Vaknatten: Adagio
Vaknatten: Adagio Petter Sundkvist & Karl-Birger Blomdahl & Swedish Chamber Orchestra
Danssvit No. 1
Danssvit No. 1 Anders Holdar & Ola Karlsson & Karl-Birger Blomdahl & Tobias Carron & Bernt Lysell & Bjorn Sjogren
Aniara: Instrumental Prelude: Galactic Space
Aniara: Instrumental Prelude: Galactic Space Mikael Samuelson & Karl-Birger Blomdahl & Stefan Parkman & Stig Westerberg & Lena Hoel & Swedish Radio Symphony Orchestra & Erik Saeden & Jerker Arvidson & Radio Chorus & Viveca Anderberg & Bjorn Haugan & Thomas Sunnegårdh

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Sobre Karl-Birger Blomdahl

Remembered most vividly for his 1958 "space opera" Aniara, composer and educator Karl-Birger Blomdahl was a leader in the Monday Group, a gathering of Swedish composers who met regularly to discuss contemporary music. Well trained, Blomdahl moved from a style rooted in traditional Scandinavian music to a Hindemith-derived contemporary approach to composition, encompassing extended melismas, choral motives, electronic music, and even elements of jazz. At age 18, Blomdahl traveled to Stockholm intending to major in biochemistry. An abiding interest in music derailed his original purpose, howe...

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