Victor Herbert

Victor Herbert

Long Tail Pop Classical American romanticism Chamber music Irish classical

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Top músicas de Victor Herbert

March of the Toys (aus "Babes in Toyland"): Eccentric Dance (Gavotte)
March of the Toys (aus "Babes in Toyland"): Eccentric Dance (Gavotte) Victor Herbert & Keith Brion & Razumovsky Symphony Orchestra
March of the Toys
March of the Toys Arthur Fiedler & Victor Herbert
Concerto No. 2 in E Minor for Cello and Orchestra, Op. 30: II. Lento - Andante tranquillo
Concerto No. 2 in E Minor for Cello and Orchestra, Op. 30: II. Lento - Andante tranquillo Lynn Harrell & Victor Herbert & Sir Neville Marriner & Academy of St. Martin in the Fields
Babes in Toyland: March of the Toys
Babes in Toyland: March of the Toys Victor Herbert & Keith Brion & Razumovsky Symphony Orchestra
Medley: Nutcracker Suite: Marche Miniature / Dance Of The Sugar Plum Fairy / Russian Dance / Arabian Dance / Chinese Dance / Dance Of The Reed Pipes
Medley: Nutcracker Suite: Marche Miniature / Dance Of The Sugar Plum Fairy / Russian Dance / Arabian Dance / Chinese Dance / Dance Of The Reed Pipes Ermanno Wolf-Ferrari & Ruggero Leoncavallo & Robert Schumann & Victor Herbert & Jean Sibelius & Ludwig van Beethoven & Richard Strauss & Jules Massenet & Giacomo Puccini & George Gershwin & Franz Schubert & Nikolai Rimsky-Korsakov & Edvard Grieg & Richard Wagner & Pyotr Ilyich Tchaikovsky & Johann Strauss II & Johannes Brahms & Giuseppe Verdi & Wolfgang Amadeus Mozart & Gioachino Rossini & Jacques Offenbach & Georges Bizet & Alexander Borodin & Emmanuel Chabrier & Ferde Grofé & Bedřich Smetana & Antonín Dvořák & Camille Saint-Saëns & Aram Khachaturian & Ray Hartley

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Sobre Victor Herbert

Victor Herbert was one of the most versatile and important figures in American music at the turn of the twentieth century. This Irish-born American was a busy conductor and one of the foremost cellists of his time, besides being a once-popular operetta composer. His talent as a composer should not be overstated; Herbert's music, tailored to the middle-class tastes of his era, now seems quaint, yet it is solidly crafted and durably melodic enough to merit revival. Raised in Stuttgart, Herbert studied composition there with Max Seifritz and cello with Bernhard Cossmann. During his teens he ...