Giuseppe Verdi

Giuseppe Verdi

Mid Level Classical Italian opera Italian romanticism Late romantic era

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Top músicas de Giuseppe Verdi

Turandot: Nessun Dorma! (As Heard In The Island, Man On Fire, Bend It Like Beckham, The Killing Fields And Hereafter)
Turandot: Nessun Dorma! (As Heard In The Island, Man On Fire, Bend It Like Beckham, The Killing Fields And Hereafter) Paul Dukas & Maurice Ravel & Tullio Serafin & Pietro Mascagni & Mario del Monaco & Béla Bartók & Jean Sibelius & Ludwig van Beethoven & Richard Strauss & Carl Orff & Samuel Barber & Claude Debussy & Gustav Mahler & Giacomo Puccini & George Gershwin & Franz Schubert & Léo Delibes & Johann Sebastian Bach & Edvard Grieg & Felix Mendelssohn & Johann Pachelbel & Richard Wagner & Tomaso Albinoni & Pyotr Ilyich Tchaikovsky & Antonio Vivaldi & Johann Strauss II & Franz Liszt & Luigi Boccherini & Giuseppe Verdi & Wolfgang Amadeus Mozart & Frédéric Chopin & Gioachino Rossini & George Frideric Handel & Henry Purcell & Jacques Offenbach & Modest Mussorgsky & Benedetto Marcello & Accademia Di Santa Cecilia & Sergei Rachmaninoff & Aram Khachaturian
Intermezzo (From "Cavalleria Rusticana")
Intermezzo (From "Cavalleria Rusticana") Pietro Mascagni & Ruggero Leoncavallo & Jules Massenet & Giacomo Puccini & Philharmonia Orchestra & Ian Westrip & Amilcare Ponchielli & Giuseppe Verdi & Jacques Offenbach & Georges Bizet
Rigoletto, Act III: La Donna è Mobile
Rigoletto, Act III: La Donna è Mobile Giuseppe Verdi & Pekin Kırgız
Rigoletto: Act 3 "La donna e mobile"
Rigoletto: Act 3 "La donna e mobile" Antonello Gotta & Giuseppe Verdi & Peter Clements & Orchestra and Chorus of Compagnia d
Rigoletto: "La donna è mobile"
Rigoletto: "La donna è mobile" London Concertante & Giuseppe Verdi & Dominic Walsh

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Sobre Giuseppe Verdi

Giuseppe Verdi was to opera in the Italian tradition what Beethoven was to the symphony. When he arrived on the scene some had suggested that effective opera after Rossini was not possible. Verdi, however, took the form to new heights of drama and musical expression. Partisans see him as at least the equal of Wagner, even though his style and musical persona were of an entirely different cast. In the end, both Verdi's popular vein -- as heard in the operas Rigoletto, Il trovatore, and La traviata -- and his deeper side -- found in Aida, Otello, and Falstaff -- demonstrate his mastery and fa...