Ivan Wyschnegradsky

Ivan Wyschnegradsky

Long Tail Classical Russian modern classical

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Estatísticas de Ivan Wyschnegradsky

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Preludes in Quarter-Tone System: IV
Preludes in Quarter-Tone System: IV Steffen Schleiermacher & Josef Christof & Ivan Wyschnegradsky
Preludes in Quarter-Tone System: I
Preludes in Quarter-Tone System: I Steffen Schleiermacher & Josef Christof & Ivan Wyschnegradsky
24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos
24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos Ivan Wyschnegradsky & Sylvaine Billier & Martine Joste
Etude sur les Mouvements rotatoires, Op. 45a
Etude sur les Mouvements rotatoires, Op. 45a Ivan Wyschnegradsky & Sylvaine Billier & Martine Joste & Gérard Frémy & Fuminori Tanada & Fernand Vandenbogaerde
24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: IV. - En quarts de ton pour deux pianos
24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: IV. - En quarts de ton pour deux pianos Ivan Wyschnegradsky & Sylvaine Billier & Martine Joste

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Sobre Ivan Wyschnegradsky

Microtonal composer Ivan Wyschnegradsky was a pioneer in quarter-tone music. He studied music under Nicolas Sokolov and stopped studying law around the same time he began composing. Although his first compositions were written in the normal chromatic system, within three years he adopted the quarter-tone system and was notating 1/12-tones in 1919. The following year, he and his family emigrated from St. Petersburg to France. During the early '20s, he travelled from France to Germany a number of times, meeting Alois Hába, among others. He and Hába commissioned the building of a quarter-tone ...