Chorusing
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About Chorusing
On Half Mirror, O’Connell superimposes warm analog synths onto self-described “electro folk” with a simultaneously cosmic and earthly outcome. Tracked at home in the mountains of North Carolina using a vintage tape delay, electric guitar, and a homemade synthesizer he named ‘Balsam,’ the album is at once a lonesome push-pull of electronics humanized by folk elements, and folk music made alien by electronic adornments. O’Connell’s own story is just as captivatingly segmented, and he crafted the personal, cathartic Half Mirror over the course of a decade. In 2011, O’Connell’s interest in el...
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