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About Fernando Dalcin
Lulled by the sound of the cavaquinho since childhood, Fernando Dalcin began studying the instrument in a self-taught way. Thus, a few years later, he discovered the experience of being a soloist in the Choro circles in his city. Through close contact with Izaías Bueno de Almeida, Milton Mori and Danilo Brito, he began his studies on the mandolin. He is currently active not only as a mandolin soloist, but also as a cavaquinho and tenor guitar soloist. Interested in the search for historical and unknown Choro repertoires, she focused her research and musical practices on the diversity of so...
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